![]() They promote authoritarian leaders, and they fan the flames of political violence that are a threat to our personal rights, to the pursuit of justice, to the rule of law, to the very soul of this country. MAGA forces are determined to take this country backwards - backwards to an America where there is no right to choose, no right to privacy, no right to contraception, no right to marry who you love. And they’re working right now, as I speak, in state after state to give power to decide elections in America to partisans and cronies, empowering election deniers to undermine democracy itself. They refuse to accept the results of a free election. They do not recognize the will of the people. I know because I’ve been able to work with these mainstream Republicans.īut there is no question that the Republican Party today is dominated, driven, and intimidated by Donald Trump and the MAGA Republicans, and that is a threat to this country.īut I’m an American President - not the President of red America or blue America, but of all America.Īnd I believe it is my duty - my duty to level with you, to tell the truth no matter how difficult, no matter how painful.Īnd here, in my view, is what is true: MAGA Republicans do not respect the Constitution. Not every Republican embraces their extreme ideology. Now, I want to be very clear - (applause) - very clear up front: Not every Republican, not even the majority of Republicans, are MAGA Republicans. Too much of what’s happening in our country today is not normal.ĭonald Trump and the MAGA Republicans represent an extremism that threatens the very foundations of our republic. That is the work of my presidency, a mission I believe in with my whole soul.īut first, we must be honest with each other and with ourselves. That sacred flame still burns now in our time as we build an America that is more prosperous, free, and just. We, the people, have burning inside each of us the flame of liberty that was lit here at Independence Hall - a flame that lit our way through abolition, the Civil War, Suffrage, the Great Depression, world wars, Civil Rights. We must never forget: We, the people, are the true heirs of the American experiment that began more than two centuries ago. So tonight, I have come this place where it all began to speak as plainly as I can to the nation about the threats we face, about the power we have in our own hands to meet these threats, and about the incredible future that lies in front of us if only we choose it. We do ourselves no favor to pretend otherwise. They are why, for more than two centuries, America has been a beacon to the world.īut as I stand here tonight, equality and democracy are under assault. They are how we became the greatest nation on Earth. ![]() These two documents and the ideas they embody - equality and democracy - are the rock upon which this nation is built. This is where we set in motion the most extraordinary experiment of self-government the world has ever known with three simple words: “We, the People.” “We, the People.” ![]() This is where the United States Constitution was written and debated. This is where America made its Declaration of Independence to the world more than two centuries ago with an idea, unique among nations, that in America, we’re all created equal. I speak to you tonight from sacred ground in America: Independence Hall in Philadelphia, Pennsylvania. ![]() THE PRESIDENT: My fellow Americans, please, if you have a seat, take it. ![]()
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![]() ![]() Increase mapping and research efforts. ![]() In light of these findings, The Pew Charitable Trusts has developed a set of broad recommendations to help land and wildlife managers, conservationists, industry, and other stakeholders better coordinate and direct their efforts to protect these majestic species: Additionally, wildlife-vehicle collisions on our nation’s roads take a costly and sometimes deadly toll on animals and people, while entanglement in fences claims hundreds of animals’ lives each year. And climate change is altering the growth patterns and abundance of forage at key locations and times of year. Fencing, roadways, residential development, and energy and mineral production operations can block, alter, or fragment migration routes and limit access to adjacent habitat that ungulates rely on. Human activity disrupts migratory behavior and jeopardizes the health of ungulate populations.Further, because animals in some species learn how and where to migrate from older members of the herd, disturbance of a route for more than a generation can mean the long-term or permanent loss of that inherited knowledge and, with it, vital nutritional and fitness resources. Wildlife depends on resources that are found in different places throughout the year, and when animals cannot access food or important habitat, individual animals and the herd can suffer. When migration pathways are blocked or disrupted, animal populations tend to decline.Ungulates that migrate successfully tend to be fatter than those that do not, and fatter females are more likely to survive the winter and produce healthier young, which in turn supports the overall well-being of herds. Moving from place to place, often across hundreds of miles, allows these animals to negotiate changes in weather, food availability, predator activity, and other ecological variables. Migration between seasonal habitats is a critical part of the life cycle of most ungulate populations in the western U.S.This report is based on a synthesis, conducted by the Wyoming Migration Initiative on behalf of The Pew Charitable Trusts, of the growing body of science regarding the migration of western North America’s populations of mule deer, elk, pronghorn, and other ungulate species and identifies the most substantive threats to migrating wildlife. And as the data pours in, that new knowledge has significant implications for how wildlife and their habitats can be managed to ensure that migrating species can persist and thrive in the face of old and new challenges. Although GPS has been around for several decades, it has only recently been scaled up for broad applications in wildlife research. In addition to answering simple questions about where animals go every spring or fall during their migration seasons, the data is providing critical new insights into why and how animals move between seasonal ranges. The massive amount of data generated from these research endeavors is also transforming the work of wildlife managers, land stewards, transportation officials, and policymakers. This information, which primarily indicates where a particular animal is located at a given moment, is revolutionizing the understanding of wildlife ecology by enabling scientists for the first time to pinpoint when and where wildlife moves at a grand scale. 1 Now, in the 21st century, science is uncovering fascinating new information about the amazing treks that mule deer, elk, and pronghorn make each year across the American West.Įvery day, from some of the most remote and spectacular reaches of the United States, special GPS collars affixed to large ungulates (hoofed mammals), other mammals, and birds beam tens of thousands of electronic signals via satellite to researchers across the country. Aristotle and his contemporaries marveled at the sudden disappearance of birds and animals in the fall and their reappearance in spring. The natural spectacle of wildlife migration has beguiled people for millennia-a sense of wonder that continues today. ![]() ![]() So, when the poem concludes, he is telling his children to always give their hearts, and their best efforts, in service of their family.Īlexander also makes use of anaphora, or the repetition of a word or phrase at the beginning of multiple lines, usually in succession. In this case, the speaker, who is a father, says that “your family is the court” and the basketball is “your heart”. When using this technique a poet is saying that one thing is another thing, they aren’t just similar. It is an extended metaphor that fuels this poem and gives it meaning.Ī metaphor is a comparison between two, unlike things that do not use “like” or “as” is also present in the text. The latter is the most important of the group. These include, but are not limited to, anaphora, alliteration, enjambment, and metaphor. ![]() Then, there is another connection between “heart” and “are,” the latter ends line four.Īlexander makes use of several poetic techniques in ‘Basketball Rule #1’. These three words end lines two, three, five, seven, and eight. For example, “court,” “heart,” and “get”. This means that either a vowel or consonant sound is reused within one line, or multiple lines of verse. Half- rhyme, also known as slant or partial rhyme, is seen through the repetition of assonance or consonance. ![]() Alexander did not choose to make use of a consistent rhyme scheme, but there are examples of half-rhyme throughout the poem. ‘ Basketball Rule #1’ by Kwame Alexander is a short poem made up of eight lines contained in a single stanza of text. Family is the most important thing, and one must always leave their “heart” on the “court”. They must respect both and make sure that one benefits the other. The basketball they carry on the court is their heart, and the court itself is their family. The speaker addresses his sons, telling them that life is a “game” and that as players of that game they have certain things they need to value. ‘ Basketball Rule #1’ by Kwame Alexander is a simple, yet still moving, poem that speaks on the importance of valuing and loving one’s family. ![]() ![]() ![]() ![]() Quite conveniently, we have a tool that can help in this regard, and it's been sitting under our noses.īefore we go any farther, I want to add a few important caveats to using auto layout in context of page layouts / templates: This cycle of manual adjustments can feel a bit like playing whack-a-mole it's tedious and error prone. If you change the position of one element, you're obliged to manually change the size and/or position of its neighboring elements to maintain uniformity. It's easy to overlook the invisible layout rules we've established in any given design because they're not bound or defined by anything other than x,y position on the screen. After placing components on the screen, we rely on grids, guides, rulers, and measuring tools to nudge elements around the page in order to maintain consistent spacing and alignment. Extending auto layout usage beyond atoms, molecules, and simple organismsĪs designers, we often stop using auto layout once we have a mature (enough) component set that includes a minimal set of atoms, molecules, and simple organisms. Other examples of peer / sibling components would be elements like a page header or navigation component which may contain text, navigation elements, and search a search box. Peer components can contain different/nested components that all behave in concert as "one" organism. This is likely a repeated pattern within our app for which we can componentize - using auto layout to consistently apply alignment and padding values / tokens that support individual use cases (e.g., only primary and secondary buttons, primary, secondary, and tertiary buttons, etc.) In some cases, we may also need a button aligned left to accommodate less frequent or distinct actions (e.g, a destructive action). An optional tertiary button is also available in this grouping, but hidden. In the Button Container frame above, our design supports common uses where our primary and secondary action buttons are aligned to the right of the container. In this post and companion Figma file, I'll briefly cover common auto layout use cases and a proposal for extending usage from components and component groupings to include auto layout for templating entire page designs.Ībove: Example of a auto layout frame with peer components (buttons) Using auto layout for page templating can make our designs less fragile and reduce the amount of repositioning needed when we make changes that affect child or sibling elements.Using auto layout as scaffolding for page templates has real advantages and maintenance efficiencies once designs start converging and reusable layouts and patterns emerge.However, as we go “up” on the atomic design scale, the usage of auto layout tends to diminish, but the value of the feature remains constant.(e.g., buttons appearing on a modal footer) Popular but less common, designers may use auto layout to arrange peer components in relation to one another or other UI elements.Common implementations of auto layout include “inside out” use cases - designing components to adapt to their content.And while auto layout has become an indispensable feature, many designers still aren't utilizing its full potential. Your share can help other people to learn Designing better UI using Figma.If you're like me, you can't imagine designing in Figma without auto layout. We will greatly appreciate it if you share this “Responsive Web Design Tutorial by Figma Breakpoints Plugin ” on Facebook. If you enjoy the tutorial video, you can help us with a LIKE as well as give your feedback in the comment section. ![]() #AdaptiveLayout #FigmaDesign #FigmaTutorial If don’t set the constraints properly, the frames will not resize properly. In Figma constraints and resizing is another thing to understand. We did discuss in this Figma tutorial how to do type scale in Figma. Type scaling is vital for adaptive design. If you are designing a desktop video into a table view design or mobile view design. ![]() But there are lot to cover, please comment, if you need a in depth video on Typography Figma. We also covered a basic typography Figma based setup. You should look for typography tutorials. And, for this plugin, Responsive design Figma setup became more dynamic. It let you set breakpoints, so that it can response as per screen size. If you want to know more about us, visit: ▶ įigma Breakpoint plugin is a really handy Figma plugin for designers to make adaptive responsive design in Figma. We are BTW, a High-quality WordPress theme builder working since 2010. This responsive web design tutorial by Figma, covers breakpoint-dependent adaptive responsive design, basic typography, type scaling, and Figma constraints and resizing. ![]() ![]() ![]() The core features such as the built-in merge conflict tool built-in code editor interactive rebase mode integrations with, and are all free to use with public repos. ![]() If youre interested in the companies that use GitKraken, you may want to check out. Type the GitHub issue number in the search field to quickly find corresponding card.Īlso, if you ever want to jump to the GitHub issue from GitKraken Boards, click on this icon to access the link:Īny milestones that you create in Github Issues will be added to GitKraken Boards, and any milestones you create in GitKraken Boards will be respected in Github (you will need to refresh GitHub to view any changes). GitKraken Client is our cross-platform desktop Git client, which includes not only an intuitive GUI but a powerful CLI. Our data for GitKraken usage goes back as far as 2 years and 9 months. This will automatically connect your account for the GitHub integration. We make a suite of legendary Git tools that help developers be more productive and teams collaborate more closely wherever they are and wherever they code. When logging into GitKraken, click Sign in with GitHub and log in with your credentials. The Ctr+Shift+F combination got intercepted by the Ctr+Shit combination that I had already assigned to a keyboard layout change. Alt+F and then navigating the menus with the arrow keys worked for me. You may need to refresh GitHub to see the new issue. Contact Email Phone Number 480.362.1900 GitKraken is a global software company with offices in Arizona, USA and Alicante, Spain. Then click on the 'View' item and then click the 'Toggle Full Screen' menu item. However from here you can create more columns and build out the workflow for your issues.įrom here, new issues added to GitHub will now sync to GitKraken Boards.Ĭonversely, new cards added to GitKraken Boards will also be synced to GitHub. When you first sync a board, you will start out with just one column in GitKraken Boards. Once your information has become public there is nothing you can do. Please do not modify or remove this webhook as this will cause the GitHub sync to fail. Deleting your GitKraken account would lower the chances of your data getting out there. Important: GitKraken Boards's GitHub Sync relies on a repo webhook created during the sync set up. I have turned off the VPN from the Chrome extension and by clicking on the google signing i get this error: 403 Forbidden Thanks. ![]() ![]() ![]() Advanced lens flares add additional vibrance to Hitman 2's look. Picture-in-picture is a neat new feature that shows security camera footage and other useful perspectives on the scene. ![]() There's now thick foliage too, which is nicely animated and shaded as well as providing Agent 47 with cover for the first time. Returning from the previous game is extensive use of parallax occlusion maps, which add a lot of depth to surface textures - especially noticeable on the sand in the game's opening scene. There's a lot to discuss, but a couple of features are particularly worth highlighting here. In the video below, I walk through a couple of levels to give a detailed breakdown of Hitman 2's tech - and detail is an appropriate word to use, as this game boasts huge areas packed with intricate detail and dynamic elements. IO has spent years perfecting its engine technology to support this type of game and a few of the new features introduced in Hitman 2 are quite eye-catching. Hitman 2, released last week, is a continuation of the work IO started on the 2016 game, with six new environments and new gameplay features and options.įrom our perspective, however, the most exciting improvements stem from changes made to IO Interactive's in-house Glacier 2 engine. That game has been widely recognised for its remarkably complex, systematic world, engaging design and highly replayable missions - it's a remarkable achievement. 18 years after the release of the original Hitman: Codename 47, the series lives on - yet it was arguably only with the release of the 2016 game that Danish studio IO Interactive perfected the formula. ![]() ![]() ![]() An Adjusto-Matic bridge with pinned rosewood base and a Bigsby B6G tailpiece provide stellar tuning support, sustain, and tremolo for all kinds of stylistic exploration. A maple neck with an ebony compound-radius fingerboard offers incredible playability and response. The inclusion of 1959 trestle bracing ensures maximum resonance and tone. The G6120TFM-BSNV features a flame maple arched top, plus a flame maple back and sides, with a captivating gloss that lets the color really shine through. 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![]() ![]() The MIDI module works with any connected MIDI device accessible to the system through the “Audio MIDI” utility. While simple commands can be initiated from a MIDI keyboard, users can take advantage of the more advanced triggering methods obtained through sequencers or lighting consoles. The ProPresenter MIDI module for Mac allows you to control ProPresenter by a MIDI controller. ![]() The ability to create visual images on a wider canvas makes for a more compelling visual experience that make people take notice. While the use of basic projection techniques is a good start, standard aspect ratios can create the impression to people in the audience that they are simply “watching television”. Simply put, Edge Blending is the practice of using two or more projectors to create a single seamless image. The challenge in any kind of video staging is to create a visual experience people don’t see everyday. What’s more, we composite the text that is built in ProPresenter, along with the cross dissolves, right with the video backgrounds (with or without alpha-key) for the worlds first fully-functional worship-minded CG solution. Using this new software module in conjunction with a BlackMagic Decklink HD Extreme (required, pictured to right) and broadcast level switchers, ProPresenter can provide perfectly keyed alpha-channel support for graphics, words, and video effects. Renewed Vision is pleased to announce the addition of an advanced Alpha Keyer Module for ProPresenter. Each Slave station can have their own respective content suitable for its output, so it can be the same or different material than the Master station (great for multi-lingual environments). This new module allows one Master ProPresenter Station to remotely trigger slides and Video/Image bin contents of one or more networked ProPresenter stations. The “Master Control Module” allows one operator to control multiple ProPresenter Network Nodes from one computer. This is a highly useful feature for productions where one may need to utilize multiple instances of ProPresenter to control multiple screens, each with varying content, but want one operator to control them all in unison from one station. While this is an option for those that need an output to an SDI video switcher, our recommendation would be to use a Matrox ConvertDVI (available under “Video Accessories” in our store) or other scan converter downstream of the computer’s graphics (DVI/VGA) output. ![]() The SDI Output module converts the output of ProPresenter to a native SDI stream when used with a compatible Blackmagic Decklink Card or UltraStudio 3D product. If you aren’t familiar with what SDI means, it is a professional broadcast quality video interface. The SDI Module provides capabilities that enhance ProPresenter’s native feature set, but it only works on the Mac version of ProPresenter. No other software package offers this level of support or flexibility for the Matrox family of external display processors. This unique solution provides for the easiest and least expensive way to create a multi-screen lyric and video presentation. Lyrics can be placed on any or all of the screens, and background videos can be spanned or displayed individually on each display. With the Multi-Screen module, however, you can now choose what layers of ProPresenter’s output are seen on each of the outputs of the Matrox device. While ProPresenter and work with the Dual/TripleHead2Go without the Multiscreen module, it would only output a single, wide image. These devices are external boxes that connect to your computer’s Mini Displayport or DVI port and are recognized by your computer as single display that happens to be 2- or 3-times wider than a normal display. The Dual- or TripleHead2Go takes this ultra-wide signal and splits it into two or three separate outputs. The Multiscreen module is a software enhancement to ProPresenter which works with a Matrox DualHead2Go or TripleHead2Go. Currently RenewedVision offers seven extra modules for ProPresenter that make it an industry leader in presentation software. One of the reasons for it’s high adoption rate is it’s ability to be made more powerful with it’s add-on modules. ProPresenter by RenewedVision is one of the most popular presentation programs for live events and church services. ![]() |
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